With Voldemort back, Harry returned to the Dursley house, and Sirius imprisoned ‘living’ at Grimmauld Place, Sirius decides to go check on his godson.Īnd when he doesn’t like what he finds at Number Four Privet Drive, Sirius decides to do something else- tell Harry a fifteen year old secret and send him off the the United States to meet his biological father.
#We are lightning scars lyrics archive#
He led the band through ‘80s time capsules, including "Do You Really Want to Hurt Me?" and the spotlight of the night, "Church of the Poison Mind," which was ingeniously meshed with Wham!’s "I’m Your Man" in a pleasant marriage of cadence and spirit. That led, naturally, into the slinky groove of "I’ll Tumble 4 Ya," followed by a reggae-fied cover of Bread’s "Everything I Own."īoy George appeared genuinely happy throughout the set, smiling as he skipped around the stage. "When I die – if I die – I want to be Mick Jagger," he said with the first of many wicked grins flashed throughout the hour-ish set.įlanked by fellow original Culture Club members Mikey Craig on bass and Roy Hay on guitar and keyboards, Boy George, 62, looked flawlessly glamorous in layers of black and blue fabric, a gray hat tilted on his head.Ĭulture Club unspooled their realm of hits with layered precision by springing for a four-piece band – including a percussionist and saxophonist – and two impressive backup singers.īoy George shimmied and gestured his way through "It’s a Miracle," his voice creamy and soulful before teasing "Shall we tumble?" Howard Jones set listĬulture Club gleefully romps through ‘80s classicsįew can make an entrance as gleefully as Boy George and on this night, he and Culture Club opted to start with a song they had been saving for the encore at previous shows – a smoking version of the Rolling Stones’ "Sympathy for the Devil." Jones wrapped his efficient set with “Things Can Only Get Better,” the audience happily shouting the “whoa, whoa, whoa-oh-o” part of the chorus as Jones smiled his way through the perky bop. Personable and gracious during his 30-minute set, Jones tucked away his cheerfulness for his plaintive ballad, “What is Love?,” which he infused with pathos as it escalated into a dramatic wall of sound of keyboards and electric guitar and ended on a literal high note. At 40 years old, the song still retains a springy youthfulness.
The genial keyboard wizard started his set with an easy mandate: “We play with total energy and you sing every song,” he said.īacked by a four-piece band including intriguing bassist/Chapman stick player Nick Beggs, Jones, 68, bopped around several neon-glowing poles stationed around the stage, sometimes leaning over his synthesizer, other times grabbing the mic for an impassioned note.Ī revamped piano take on “New Song” included Jones, his upper range in fine form, hitting some long notes seemingly effortlessly. Howard Jones marks 40 years of ‘New Song’ Longtime followers of the band were undoubtedly thrilled to see Crawford trade lyrics with Nunn on “Sex (I’m A …)” as they stalked each other on stage, bringing more heat to an already steamy night. Algora David es del tipo de chicos que no brillan desde lejos hay.
1 hit, the everlasting "Top Gun" ballad, "Take My Breath Away." The diminutive singer, clad in a sleeveless black dress, walked (with a bodyguard) a few rows into the crowd to sing, facing the back portion of the venue and leading fans in swaying their arms overhead. We have lyrics for David by these artists: Akiko Yano () David.
Nunn, sporting trademark black streaks in her white-blond hair, sounded record-perfect as she soared through the band’s No. Understanding the time crunch, the five musicians sharing the stage – including founding member John Crawford and ‘80s-era member David Diamond on guitar – immediately tore into the New Wave magnificence of "No More Words" and "The Metro," their cascading synthesizers still evocative and their melodies indelible. Unfortunately, Berlin was forced to be especially economical with their set, performing four songs in 20 minutes. With arms outstretched, Berlin maven Terri Nunn, 62, greeted an effusive audience that was appreciative to see the band, but also thankful the show started after a nearly 90-minute wait.
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